Q&A

Behind the Wknd Halloween cover

Behind the Wknd Halloween cover

19 Photos

For the Halloween Wknd cover shoot, Baltimore Sun photographer Karl Merton Ferron explains his lighting setup:

“Dual main lights were chosen – one main light, a beauty dish strobe which was softened by a simple white cloth sheet at left; the other, a cowl mounted to direct strobe, pointed down to the off-white floor, only a couple feet away from the platform. A black flag rested against the light between source and camera to knock back any lens flare. A strip box outfitted the third light which feathered the pumpkins – that source bounced off an oversized gold reflector to kick back warmth to accentuate detail in the shadows.”

Models for the shoot were Flash, a 12-year-old Welsh Pembroke Corgi and Winston, an 8-year-old Beagle.

See outtakes from the shoot below.

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Behind the scenes with Ravens team photographer Shawn Hubbard

Behind the scenes with Ravens team photographer Shawn Hubbard

20 Photos

Baltimore born-and-raised photographer Shawn Hubbard has been a team photographer for the Ravens for the past seven seasons. Here’s a look into how it all started, a look at some behind-the-scenes with the Ravens shots, and a few of his favorite prime-time and sometimes emotional Ravens moments.

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Instagrammer feature with @eylride: Seeking abstraction

Instagrammer feature with @eylride: Seeking abstraction

20 photos

What makes Christopher Eyl’s Instagram feed so mesmerizing is how the pictures display his distinctive view of the world. For this North Carolina-based designer, intersecting lines, contrasting colors, light and texture are often the jumping off points for an incredible picture. Each image he shares is a piece of a greater collection that reminds us that there is nothing unrealistic about abstract art.

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Photographing Old Havana

Photographing Old Havana

17 photos

Baltimore photographer Lisa Dierolf Shires recently visited Cuba’s capital Havana on a photography trip in February. Shires and a fellow photographer friend did the research, practiced their Spanish and came up with a logistical plan. The duo made it to Cuba by way of Cancun – barely making their flight after they ran into complications in purchasing their tickets in Mexico. After converting Canadian dollars to Mexican pesos for flights at a terrible exchange rate and adapting to changes in original plans and funds, they focused their stay in the capital city. “The people were very patient with our Spanish and were very kind,” Shires said. “There was a separation between old and young on the contentment of the condition of the country.” The difference being that the younger generation was ready for change and access to information, she explained.

The Darkroom caught up with Shires who talked about Old Havana, its people, culture and daily life in a post-Fidel Castro Cuba.

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