Baltimore signs: Night and day
If you’re a Baltimore lifer or you’ve been here long enough to get yourself good and lost (and then found), you may have figured out by now that the natives like to give directions from Point A to Point B either without using street names or based solely on what buildings used to be at those locations.
Who needs street names when you can just say: “Remember where the old Caldor was on York Road? Drive there.” Or better yet: “Go north on 83, the Pepsi sign will be on your right. If you see the Mount Washington Whole Foods, you’ve missed your exit.” Of course, here in Charm City, we don’t just use landmarks for driving directions, we also use them as easy meet-up spots for the directionally challenged (ahem).
“Meet me under Mr. Boh,” “meet me in front of The Senator marquee”… are you starting to get the picture, yet?
Signs, signs are everywhere in the former City That Reads and the ones that light up are some of our faves, not to mention the most iconic — and easiest to give directions to. Here’s a sampling of Baltimore signs — night and day — to help you find your way around. — Amanda Krotki
- Advertising icon Mr. Boh, the cartoon character who has long represented once-local beer National Bohemian, atop the old former Gunther Brewing Company building in East Baltimore. (Sun photo by Gene Sweeney, Jr.)
- The Natty Boh Tower, a mixed use building that formerly served as a brewery, can be seen from most of the resident neighborhood of Brewer’s Hill. (Baltimore Sun Media Group photo by Sarah Pastrana)
- The Domino Sugars landmark sign in 2010. (Sun photo by Gene Sweeney Jr.)
- American Sugar Refining, Inc., beautified its Domino Sugars plant buildings at the Inner Harbor in 2013 by power washing, painting and repairing the brick works. This marked the first time the exterior of the 9-story brick building had been cleaned since the 1920s. (Sun photo by Kenneth K. Lam)
- The Pepsi plant with a view of I-83. (Sun photo by Steve Earley)
- Pepsi sign on I-83 in 1996. Sun photo by Doug Kapustin)
- Exterior of the Stieff Silver factory at dusk in 1998. The Stieff Silver sign, always a landmark, is lit up at night. (Sun photo by Amy Davis)
- The well known landmark Stieff Silver building, which can be seen from 83 South, in 2002. (Sun photo by Monica Lopossay)
- WBAL’s iconic sign at night. (Sun photo by Steve Earley)
- WBAL’s iconic sign in the daylight. (Sun photo by Steve Earley)
- The sign for the Woodberry facility can be seen from 83. (Photo by Jason Priest)
- The sign for the Woodberry facility can be seen from 83. (Sun photo by Kalani Gordon)
- The neon sign atop Lexington Market not entirely lit as dusk settles over the historic market in a view of the Eutaw Street entrance in 2014. (Sun photo by Karl Merton)
- The sign outside Lexington Market at Eutaw Street in 2014. (Baltimore Sun photo by Karl Merton Ferron)
- The scoreboard glows on a dreary fall evening, sending a welcome message to left-handed pitcher Tsuyoshi Wada in 2011, to announce the signing of the Olympics bronze medalist from Japan, to a two-year contract. (Sun photo by Karl Merton Ferron)
- The outfield clock above the scoreboard is shown during the Baltimore Orioles game against the Toronto Blue Jays at Oriole Park at Camden Yards in 2006. (Photo by Jamie Squire/Getty Images)
- The Power Plant Live sign at dusk in 2014. (Karl Merton Ferron/Baltimore Sun)
- The Power Plant Live sign at the Inner Harbor on a gray day in 2014. (Karl Merton Ferron/Baltimore Sun)
- The sign for the children’s museum at dusk in 2014. (Karl Merton Ferron/Baltimore Sun)
- The sign for the children’s museum on a gray day in 2014. (Karl Merton Ferron/Baltimore Sun)
- Exterior view of 1st Mariner Arena, showing new billboard signs in 2003. (Sun photo by Barbara Haddock Taylor)
- This is the First Mariner Arena with billboards hanging on the exterior on two sides. (Sun photo by Algerina Perna)
- Outside at the Charles Theatre during the 2010 Maryland Film Festival. (Sun photo by Amanda Krotki)
- The Charles Theatre looking north on Charles Street. (Sun photo by Monica Lopossay)
- Shown is the last crowd under Tom Kiefaber’s ownership of the Senator Theatre following a showing of “Star Wars.” (Sun photo by Gene Sweeney Jr. )
- The Senator Theatre as it was being renovated by Buzz Cusack in 2010. (Sun photo by Lloyd Fox)
- Moviegoers attend an opening night party and screening at the new seven-screen downtown Landmark Theatre in 2007. (Baltimore Sun staff)
- The new Landmark movie theater in Harbor East in 2007. (Sun photo by Monica Lopossay)
- The opening of the France-Merrick Performing Arts Center in 2004. (Sun photo by Algerina Perna)
- This is a view down Eutaw Street taken between Fayette and Baltimore streets in 2004. (Sun photo by Algerina).
- Chazz at Harbor East hosts a private opening party in 2011. (Photo by Karen Jackson, special to The Sun)
- Chazz in Harbor East. (Photo by Colby Ware, special to The Sun)
- Patrons enjoy ice cream and other desserts in the sidewalk cafe setting of Vaccaro’s on a hazy summer night in 2001 in Baltimore’s Little Italy. (Sun photo)
- Cam Ailiff, a Baltimore County firefighter, eats ice cream outside Vaccaro’s restaurant in Little Italy in 2003. (Sun photo by Nanine Hartzenbusch)
- No, it’s not in Baltimore-proper, but look at that sign! (Photo by Steve Ruark for The Baltimore Sun)
- Bengies Drive-In is located about 14 miles east of Baltimore’s city center. (Photo by James W. Prichard)
- Of course, no gallery of visible landmark city signs would be complete without a shot of The Baltimore Sun building. (Karl Merton Ferron/Baltimore Sun)
- The Baltimore Sun building facing Guilford Avenue. (Karl Merton Ferron/Baltimore Sun)
And, if you happen to find yourself on a photographic journey during these travels, The Sun’s Christopher T. Assaf and Robert K. Hamilton have some tips for capturing those lit-up signs at night without it looking like one big blur.
Assaf: The best time to photograph signs is at dusk right as the sun goes down. There is still some ambient light mixed with the artificial, which means more detail in some of the shadows. This mix also creates a cool, blue look to the photograph as a whole, making the sign colors pop even more. Then, as the light diminishes, the photographer can continue to shoot with more light options to play with.
Hamilton: Each particular sign will present its own particular challenges. Circumstances will vary from location to location. That being said, there are some basic steps you can take to try and maximize your results. First determine what you are looking to achieve with the picture. If all you care about is the sign, then you can get the picture when it’s lit and concentrate on what time of day would give you the best results. For example, if it’s a neon sign and all you care about is photographing the sign itself, you may want to shoot it at night when there is nothing to distract from the colors of the neon. However, if you want to photograph the sign and put it in context with its environment, you may want to shoot it just after dusk when there is enough detail to show the surroundings. In other words, you’re going to need to plan your pictures and come up with the best strategy for your approach.
Assaf: Also, exposure is tricky, as under- and over-exposure can happen easily. There is not a “perfect” exposure for signs, but getting detail in the surroundings is vital to a successful photograph. Be prepared to bracket exposures, because balancing the artificial and ambient light can be tricky. It is no fun to have the entire image too dark except for the sign itself because of underexposure, or the sign washed out because of overexposure. If the sign is considerably large in the frame and bright, it is easy to underexpose as the camera will compensate for the brightness. If the sign is smaller or surrounded by a lot of dark area, the camera will try to expose for the darkness and overexpose the sign.
Hamilton: Use a tripod. This will ensure your camera is steady and removes one more variable that could ruin your picture. Experiment with the exposures — especially when shooting neon. Neon lights have unique color temperatures so there isn’t one setting that will guarantee success. You will need to try different settings on your camera. If you are concentrating on the signs, make sure they are prominent in the picture. The viewer’s eye should go to that sign when he looks at the image.
Assaf: A tripod is very beneficial, as it will allow for longer exposures and smaller apertures that can make for sharper images. Also, lower ISO settings allow for improved overall image quality and better contrast. The more pictures you make, the more chances for success.
Hamilton: And, last, have fun!
Also see: Baltimore’s skyline through the years | Baltimore City landmarks | Neighborhoods of Baltimore