Every year, hordes flock to Austin, Texas for South by Southwest (SXSW), a set of conferences and festivals with a broad appeal. For music lovers, it’s the unofficial start of the summer festival season; for cinephiles, it’s a chance to check out some off-the-radar indie films; and for techies, it’s a chance to explore new technologies and hear from some of the digital sphere’s best and brightest.
In today’s technology-laden society, almost everyone has a camera on them at all times. However, many have claimed that the abundant snapping of pictures with a cell phone has belittled thoughtfully composed photography in a similar way that text messages and emails have bastardized grammatically correct, handwritten letters.
Amongst the quiet homes of Glen Burnie, Maryland lives a mustachioed gentleman working to bring class and artistry back to photography. With techniques ranging from Civil War era Wet Plate Collodion to the latest innovations in the digital realm, John Milleker Jr. always approaches a job with an eye for composition no matter the medium.
In the interview and video below, John talks about his hefty photographic arsenal and the lengths he’s taken to protect the more ‘analogue’ weapons he occasionally wields.
More
The art of glass making
Great Baltimore Fire of 1904
120 Pearls to film: Q&A with Kaitlin Newman
Time lapse video: Ravens fans in Federal Hill
Rough Cut: Ravens Super Bowl win over 49ers
Left behind at Sparrows Point
Matt ‘Fan Man’ Andrews: The Godfather of Ravens fans
The Silent Guardians: Cemeteries of Baltimore City
Remembering former Orioles manager Earl Weaver
Instagrammer feature with @rockinbrock
Courage and strength: Living with stage IV breast cancer
Baltimore, City of Murals
Ray Lewis retrospective: 1996-2013
Year in review: Official White House photos from 2012
Bare Hills, A Contrast in Time
Double Exposure series