Jackie Treehorn’s pad is becoming part of an art museum? “Far out,” we hear The Dude gasping. The living room that the film “The Big Lebowski” set in Malibu is, in real life, in the hills, not by the beach. Now, the convention- and gravity-defying home its part of, designed by Frank Lloyd Wright disciple John Lautner, is being donated to the Los Angeles County Museum of Art, which plans to use it for fundraisers, exhibitions, conferences, and collaborations with other museums, the L.A. Times reports. In a Times column, the museum’s director called it “one of the most important houses in all of L.A.” and “one of the most L.A. houses.”
Even in death, Divine — the larger-than-life drag queen made famous in John Waters’ films — lives on.
His Towson grave site, on a tree-shaded knoll overlooking a suburban grocery store and a mega-mall, carries on the flamboyant memory of the drag queen, born Harris Glenn Milstead. Monday, October 19, 2015 would have been his 70th birthday.
World Athletics Championships, International Aviation and Space Show, financial market gyrations | August 25
The day in photos around the world.
A look at what’s coming up around the world this week.
Every year, hordes flock to Austin, Texas for South by Southwest (SXSW), a set of conferences and festivals with a broad appeal. For music lovers, it’s the unofficial start of the summer festival season; for cinephiles, it’s a chance to check out some off-the-radar indie films; and for techies, it’s a chance to explore new technologies and hear from some of the digital sphere’s best and brightest.
In today’s technology-laden society, almost everyone has a camera on them at all times. However, many have claimed that the abundant snapping of pictures with a cell phone has belittled thoughtfully composed photography in a similar way that text messages and emails have bastardized grammatically correct, handwritten letters.
Amongst the quiet homes of Glen Burnie, Maryland lives a mustachioed gentleman working to bring class and artistry back to photography. With techniques ranging from Civil War era Wet Plate Collodion to the latest innovations in the digital realm, John Milleker Jr. always approaches a job with an eye for composition no matter the medium.
In the interview and video below, John talks about his hefty photographic arsenal and the lengths he’s taken to protect the more ‘analogue’ weapons he occasionally wields.